Movement Revisited

I've been taking myself rather seriously lately. I don't like that. In reading old blog entries, I came across this one from last summer. When I wrote it, I felt a little like I do now - or in the words of Johnny Depp's Hatter, like I'd "lost my muchness."

I think I'll be muchier this time around - much muchier.

Or at least, as my yogi tells me, to acknowledge my inner muchness and step into it.

This seems like as good a place as any to start.

Re-enjoy:

Wednesday, July 8, 2009

I've been tinkering off and on this whole summer trying to find a glint of something writable. From old plot lines to recent dreams, I've sketched out the beginnings of a few too many rabbit trails to flesh out in the short time between now and August first. Allthesame (one word) with nothing to show for my efforts except missing out on a few cold and rainy summer days, I'm calling it quits on writing anything of significance this summer.

It's less like giving up than giving in. I just want to play these few days I have left of the Anti-School and enjoy the company of those I've missed this last year in my whirlwind of medical education. I'm still going to write - I'll probably blog more often - but as for the great unamerican novel I've been working on, I'm gonna leave that to someone with more time and fewer pressing ambitions.

The picture to the right is one I stole from my friend, Matt's website (shhh don't tell him). I think more than anything else, shots like this encourage me to stick with my own personal brand of playful uncommitted writing and leave the rest to the pros.

Lemmi splain:

For years I've considered myself a photographer, an artist let's say, with an eye and a talent for great candid shots. I've never bought a little digital point-and-shooter because I've felt like that would undermine my ability and be somehow beneath me. I took (stole) this photo from one of Matt's many albums - this one being 400 shots deep. I could never take (capture) this shot the way Matt has here (and in every one of his other 399 photos in the album). I'm just not that good. Matt has a talent and a commitment to photography and puts his lens to good use at every opportunity. I on the other hand never take pictures because my old Cannon SLR is awkward, bulky and costs a fortune to develop. What I should do - what I'm going to do - is put the ol' girl out to pasture and invest in a pocket sized, teeny bopper, fast action, digital Swiss Army Knife. Maybe then I won't be so stressed about the art and I'll just take pictures.

For me, writing has always been good for a short burst of self-importance and escapism. It helps me focus my thoughts, create something tangible and disseminate ideas screaming to get out of my brain. It's play, pure and simple. At Gordon, a psych professor told me the definition of play is "movement for the sake of movement."

I like that.

This summer, writing became movement for the sake of something far more tangible than just movement and thus more stifling and confining - more like work than play. I found that in my attempts to take myself seriously I lost the playful edginess that makes my writing worth reading.

--//Strike that//--

I found that in my attempts to take myself seriously I lost the playful edginess that makes my writing worth writing. And therein lies the tragedy.

I started this post with just the photo of the bike on the wire, thinking it would be the makings of a great story. I even titled the page "The Makings of a Story." In the end we didn't go there. We didn't have to. It's this freedom that makes writing worth writing for me - this writing for writing's sake.

While I have enjoyed reading some of my newer, serious projects more than old blogger entries, I enjoyed writing those point-and-shoot snapshots of life much much more. I do hope one day to pen the great unamerican novel. I hope to dazzle the world with hitherto unimagined literary grace, but

I can wait.

Today, today is more important.